Greaney could dial back the bloodletting a notch and still have an exciting story.
Futuristic robots take center stage in the Gray Man’s latest bloody adventure.
Courtland “the Gray Man” Gentry and Zoya Zakharova are lovers trying to enjoy a peaceful hideaway by Guatemala’s beautiful Lake Atitlán when a tiny drone with facial recognition capabilities tracks them down. A worldwide manhunt is underway for them, and Russia has a capture-or-kill order out on Zoya. For those just tuning in to the series, by the way, the twosome used to be mortal enemies. Now one of the planet’s most infamous killers for hire is after them, an evildoer named Scott Kincaid, aka Lancer. But on to the main plot: Multibillionaire Anton Hinton is building a lethal autonomous weapon driven by artificial intelligence. Strangely, over a 34-hour period, 10 people involved in AI and robotics have been murdered around the world. Hinton insists he’s just trying to bring some sanity into the world: With these machines engaging in any necessary fighting and doing so with perfect judgment, human wars could become a thing of the past. Wait a sec, just looking for the perfect cliche. Oh yes: What could possibly go wrong? Greaney, a terrific action writer, has jumped the shark (oops, another cliche; it won’t happen again, sorry) with a science fiction setup involving bomb-wielding hexacopters, rifle-wielding robot dogs, and a superintelligent creature named Cyrus who’s controlled by 800 IBM mainframe computers. So who will get control of this technology? China, maybe. Or, as series regular Zack Hightower says as he wipes his bloody nose, “America…. Fuck, yeah.” In a scene emblematic of the story’s chaos, Zoya lies in a dead man’s blood as the man’s left leg is hit, “and it snapped and shattered the bone there, bits of meat spraying in all directions.” And, in a contemplative moment with Zoya, Court says he just wants to be with her in peace, while he wonders if he’d “ever be able to stop killing motherfuckers who deserved to die.” Indeed, violence is the point of his life.
Greaney could dial back the bloodletting a notch and still have an exciting story.Pub Date: Feb. 20, 2024
ISBN: 9780593548141
Page Count: 528
Publisher: Berkley
Review Posted Online: Nov. 15, 2023
Kirkus Reviews Issue: Dec. 15, 2023
Speculators who haven’t been put off by bitcoin’s recent crash will enjoy this walk—well, run—on the wild side.
Cotton Malone, who just can’t stay retired from international intrigue, joins the mad dance of competitors for a fortune in bitcoin.
So many people have forgotten about the horde of gold the retreating Japanese hid on Luzon Island in the Philippines that it’s not at all clear who has legal title to it. That’s perfect for Robert Citrone, the retired CIA overseer of the Black Eagle Trust, which has used the gold to fund covert operations around the world. Just as Derrick Koger, the European station chief for the CIA, is pulling Malone away from his Copenhagen bookstore to help him investigate possible misdeeds swirling around Luxembourg’s Bank of St. George and its ruthless chief operating officer, Catherine Gledhill, other interested parties turn up in often surprising connections. Freelance assassin Kyra Lhota executes Armenian oligarch Samvel Yerevan and moves on to her next target. Malone’s sometime lover Cassiopeia Vitt is snatched by high-ranking Japanese security chief Aiko Ejima. His former lover Suzy Baldwin resurfaces as Kelly Austin, BSG’s director of special technology, who’s concealing secrets from Malone and the rest of the world. They’re all on the trail of a fabulous cache of bitcoin that in the absence of any legal records of ownership will belong, like the Luzon gold, to anyone who can track it down and grab it. The grandly scaled complications that follow feature countless broken alliances and the deaths of a fearsome number of nonfranchise characters. An extended author’s note explains what’s historically accurate (quite a bit, as it turns out) and what’s fabricated (quite a bit more).
Speculators who haven’t been put off by bitcoin’s recent crash will enjoy this walk—well, run—on the wild side.Pub Date: Feb. 20, 2024
ISBN: 9781538721032
Page Count: 400
Publisher: Grand Central Publishing
Review Posted Online: Dec. 16, 2023
Kirkus Reviews Issue: Jan. 15, 2024
More style than substance.
Michaelides takes a literary turn in his latest novel, employing an unreliable narrator, the structure of classical drama, and a self-conscious eye to dismantling the locked-room mystery.
The novel starts off with a murder, and with seven people trapped on an isolated Greek island lashed by a "wild, unpredictable Greek wind." The narrator, soon established as Elliot Chase, then zooms out to address the reader directly, introducing the players—most importantly movie star Lana Farrar. We meet her husband, Jason Miller, her son, Leo, and her friend Kate Crosby, a theater actress. We learn about her rise to fame and her older first husband, Otto Krantz, a Hollywood producer. We learn about Kate’s possibly stalling career and Leo’s plan to apply to acting schools against his mother’s wishes. We learn about Jason’s obsession with guns. And in fragments and shards, we learn about Elliot: his painful childhood; his May–September relationship with an older female writer, now dead; his passion for the theater, where he learned “to change everything about [himself]” to fit in. Though he isn't present in every scene, he conveys each piece of the story leading up to the murder as if he were an omniscient narrator, capable of accessing every character's interior perspective. When he gets to the climax, there is, indeed, a shooting. There is, indeed, a motive. And there is, of course, a twist. The atmosphere of the novel, set mostly on this wild Greek island, echoes strongly the classical tragedies of Greece. The characters are types. The emotions are operatic. And the tragedy, of course, leads us to question the idea of fate. Michaelides seems also to be dipping into the world of Edgar Allan Poe, offering an unreliable narrator who feels more like a literary exercise. As an exploration of genre, it’s really quite fascinating. As a thriller, it’s not particularly surprising.
More style than substance.Pub Date: Jan. 16, 2024
ISBN: 9781250758989
Page Count: 320
Publisher: Celadon Books
Review Posted Online: Oct. 7, 2023
Kirkus Reviews Issue: Nov. 1, 2023
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