Speculators who haven’t been put off by bitcoin’s recent crash will enjoy this walk—well, run—on the wild side.
Cotton Malone, who just can’t stay retired from international intrigue, joins the mad dance of competitors for a fortune in bitcoin.
So many people have forgotten about the horde of gold the retreating Japanese hid on Luzon Island in the Philippines that it’s not at all clear who has legal title to it. That’s perfect for Robert Citrone, the retired CIA overseer of the Black Eagle Trust, which has used the gold to fund covert operations around the world. Just as Derrick Koger, the European station chief for the CIA, is pulling Malone away from his Copenhagen bookstore to help him investigate possible misdeeds swirling around Luxembourg’s Bank of St. George and its ruthless chief operating officer, Catherine Gledhill, other interested parties turn up in often surprising connections. Freelance assassin Kyra Lhota executes Armenian oligarch Samvel Yerevan and moves on to her next target. Malone’s sometime lover Cassiopeia Vitt is snatched by high-ranking Japanese security chief Aiko Ejima. His former lover Suzy Baldwin resurfaces as Kelly Austin, BSG’s director of special technology, who’s concealing secrets from Malone and the rest of the world. They’re all on the trail of a fabulous cache of bitcoin that in the absence of any legal records of ownership will belong, like the Luzon gold, to anyone who can track it down and grab it. The grandly scaled complications that follow feature countless broken alliances and the deaths of a fearsome number of nonfranchise characters. An extended author’s note explains what’s historically accurate (quite a bit, as it turns out) and what’s fabricated (quite a bit more).
Speculators who haven’t been put off by bitcoin’s recent crash will enjoy this walk—well, run—on the wild side.Pub Date: Feb. 20, 2024
ISBN: 9781538721032
Page Count: 400
Publisher: Grand Central Publishing
Review Posted Online: Dec. 16, 2023
Kirkus Reviews Issue: Jan. 15, 2024
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
More style than substance.
Michaelides takes a literary turn in his latest novel, employing an unreliable narrator, the structure of classical drama, and a self-conscious eye to dismantling the locked-room mystery.
The novel starts off with a murder, and with seven people trapped on an isolated Greek island lashed by a "wild, unpredictable Greek wind." The narrator, soon established as Elliot Chase, then zooms out to address the reader directly, introducing the players—most importantly movie star Lana Farrar. We meet her husband, Jason Miller, her son, Leo, and her friend Kate Crosby, a theater actress. We learn about her rise to fame and her older first husband, Otto Krantz, a Hollywood producer. We learn about Kate’s possibly stalling career and Leo’s plan to apply to acting schools against his mother’s wishes. We learn about Jason’s obsession with guns. And in fragments and shards, we learn about Elliot: his painful childhood; his May–September relationship with an older female writer, now dead; his passion for the theater, where he learned “to change everything about [himself]” to fit in. Though he isn't present in every scene, he conveys each piece of the story leading up to the murder as if he were an omniscient narrator, capable of accessing every character's interior perspective. When he gets to the climax, there is, indeed, a shooting. There is, indeed, a motive. And there is, of course, a twist. The atmosphere of the novel, set mostly on this wild Greek island, echoes strongly the classical tragedies of Greece. The characters are types. The emotions are operatic. And the tragedy, of course, leads us to question the idea of fate. Michaelides seems also to be dipping into the world of Edgar Allan Poe, offering an unreliable narrator who feels more like a literary exercise. As an exploration of genre, it’s really quite fascinating. As a thriller, it’s not particularly surprising.
More style than substance.Pub Date: Jan. 16, 2024
ISBN: 9781250758989
Page Count: 320
Publisher: Celadon Books
Review Posted Online: Oct. 7, 2023
Kirkus Reviews Issue: Nov. 1, 2023
BOOK REVIEW
BOOK REVIEW
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